West Coast. New Home. New community

Just stumbled upon an old blog post i wrote in 2021 about Taranaki , when we were living on the East coast in the golden sands of Papamoa. I knew there was something magic about this place even back then. The presence of real matured lovely creative people, exactly like the ones i’ve left beind in Glastonbury, was clearly a huge pull for us to make a base here.

https://www.fayesuzannah.co.uk/blog/2021/7/26/taranaki-my-creative-community

And how was i to know that my most recent personal studies on community, what it feels like and how it grows, during my time back in the heart of my own in the UK, was to be so very valuable when it came to starting a new life.

I entered straight into a running community as well as touching base with the lovely artists i already knew locally. the growth of the connection with people through the FeelGood Run Crew and the activities we support eachother in has enabled my creative confidence to grow enormously. If there’s any way now that i’m sure that sport and art link up in my life it’s that i’m at my best while i’m doing them both. I can be myself, i’m free to express who i am. I’m over the moon ( or the mountain!?) to be in a place where i’m doing both most days, with people or for people.

I am priviledged to have forged this life for myself

I could write about community for hours……

All that changes is the sky... painting pink flowers in NZ

My first 2 mural commissions in Aotearoa NZ this time around were painted on a koha basis.. that is to say i offered my services cheap or free, on a community facebook page.. asking to be paid just whatever was felt it valued. IT WORKED

From a humble FB post i received 5 years worth of enquiries, i am still now working through the list of requests, many of the potential clients have been very patient and not expecting cheap or free murals atall!

..This initial reaction to my work in NewPlymouth enabled me to feel very confident to be able to offer my painting skills for free to begin with..

First two clients that responded to this offer were both gorgeous, flexible and very kind in their offerings. One requested specific pink flowers on the front of her smart beachside home…. and the other was open to ideas and luckily it was connected garden centre so i took my most recent inspirations and simply blew them up big.

Hamblyn Rd, Strandon , New Plymouth, Taranaki NZ.

A brave street facing mural, metres from the beach, on perfectly smooth new render and in full summer sun. During this time i was also juggling part time casual work screenprinting, and childcare but this client was so accepting and happy with the changes i was making to her home, that it didn’t matter. The fear of someone changing their mind half way through the design process, or halfway through a paint, or the rain deciding to set in, well that fear was fading and our move across the globe was feeling like a good thing already..

Big Jims Garden Centre, Bell Block, New Plymouth 4373.

These proteas… what an amazing flower.

I can honestly say i’ve been afraid of painting these plants in the past due to not knowing that i could pull it off or do them justice.. but so far NZ was creating such a confidence in me that i just committed, crossed the river of doubt and submitted the first idea that came into my head, from the first plant id noticed when i visited the garden centre to see the wall.

so i started 2025 with huge pink flowers, confident leafy shapes and interesting , almost abstract blends. it all came together on this cafe garden wall really nicely.

I was really happy with the final result and especially happy with the 10km cycle to and from the job. my fitness peaked just in time for a half-marathon in the forest just outside NewPlymouth a few days afterwards.. and well.. murals and running have all just been on a consistent upswing since then.

5 years of the Glastonbury Mural Trail

September 2024 marked 5 years of endless effort of long term friend and creative powerhouse Kim Von Coels to unite artists, wall owners and local business sponsors in order to fill Glastonbury town with diverse large scale public art.

Glastonbury of course has its own creative reputation as well as centuries of spiritual history, but within the small local population and its representative authority figures, it remains a conservative, rural and painfully protected society.

It turns out though, that 5 years is about what it takes to slowly change the mind of the people who don’t initially agree with a concept like a “Mural Trail”. Kim has battled relentless opposition, never ending negative social media comments and backlash, whilst staying consistent with her reply that art is subjective, each person responds to each piece in their own way, and it is never possible to please everyone.

Saying that, i also know that my “ easy listening” version of street art, as apposed to, the “punk rock “of classic NYC Graffiti, has made it easier for acceptance to filter down. Assisted greatly by fellow local mural artist Jon Minshull whos talent to upscale classic landscapes is undeniable.

I am proud to create art that in general doesn’t offend, occasionally i hear an inner voice that says i’m not “street” enough or don’t paint enough black outlines, or portray enough controversial messages to call myself a street artist. But if , by up-scaling botanical style patterns not unusual on kids pajamas or plastic tablecloths ,i can help to open peoples minds about what art in public places can feel like. Then i’m actually overwhelmed that this has become my role in life, and in the world.

Below are my main contributions to keeping Glastonbury colourful since the very beginning.

Here is the press release written by Kim :

GLASTONBURY MURAL TRAIL 5 YR ANNIVERSARY

I love each and every one of these murals and the dense personal history that lies in each of the spaces that they have helped to transform. I miss them everyday now that i am living in NZ.

It is an honour to have these bits of myself permanently painted in peoples everyday lives and my gratitude to Kim for acting basically as my agent , consistently proposing my style of work to sponsors and wall owners..is un measurable.

2024 Death and packing and selling and painting

Hand printing the service sheet for my own mothers funeral, and hand making 100’s of paper flowers to dress her coffin was a potent kick-start to a hugely creative UK summer 2024.

With 6 months untill we moved permanently to the southern hemisphere, 2024 was going to be a big summer anyway. The personal events of April gave me a kind of super power that meant i flew through the rest of my year in a whirlwind of back to back mural projects and a vastly successful studio clear-out sale. All intertwined with rainy days of packing and labelling and listing my worldly possesions in order for them to be shipped to NZ. It was a dynamic time, i even also swam long long distances in open water. My time in Glastonbury was finite and that really enhanced the importance of some things, and the irrelevance of most of the rest.

So now i’m writing this from the peace and quiet of my new home in New Plymouth, Taranaki, NZ. It has all been so surreal and amazing and happy and sad and ALL of the things.

There has not been a seconds rest since April. I have only just sat down at my laptop and starting looking at photos from the 4 murals i painted this year.

They were all amazing and i just floated through it all trusting in my processes and here they are:

Private commission in a back garden in Glastonbury. Thanks to Deb and Chris for this ladder-less wall and gorgeous lilly brief.

School commission at St Bonapartes Primary in Bristol. thanks to the PTA for the commission and for bearing with me throughout the design process, to Alex the building manager for making my week there very welcoming and to Ashtanga Bristol for the peaceful mornings i managed to fit in before full days of painting.

Public commission at the end of my road and at the top of Glastonbury High St. Thanks to the never ending community efforts of Kim VonCoels via the Glastonbury Mural Trail, and thanks to Xia Rose, an up and coming Glasto creative who offered her skills for free. Overwhelmed with honour for this one. And.. it’s PINK!

Private commission at Vobster Quay inland diving and swimming centre, Mells, Somerset. Thanks to Amy for being so enthusiastic and accommodating throughout the entire project, Xia Rose again for the assistance and for Alex Clinkard, she’ll never read this, but her companionship throughout this whole year, swimming endless laps for hours and hours around this vast body of dark open water has been utterly invaluable this summer. could not have got through it without all the swimming.

Leaving Glastonbury “properly” this time meant not leaving anything behind. This was my chance to sort through EVERYTHING i’d ever made and cleanse alot of the folders and the drawers and process it all. I managed to arrange a fantastic 2 day sale during which i exhibited 20 years of printmaking work, most of which had never been exhibited. I sold it all cheap, and i sold alot of it. i sold about 60% of my stuff and generated about 5x as much cash as i’d anticipated.

It was all a whirlwind. i was extremely present and also i kept a distance. I had my feet and my heart firmly rooted in Glasto and at the same time was floating and holding my breath just to get it all packed and to get on the plane . A process i am very gratefull for. But not one i want to do ever again.

Glastonbury Town Hall

I was approached almost a year ago by a member of Glastonbury Town Council to design a mural to camouflage a big wall of soundproofing panels that had been installed in the main hall of the Glastonbury Town Hall and was seriously lacking in visual appeal.

Glastonbury is a very eclectic place and the community holds such a wide spectrum of people that i wasn’t too excited about having to design something that represented the whole town past and future, and would have to be approved by a group of people with vastly different taste.

photo by Vicki Steward of www.normalforglastonbury.co.uk

Fresh from my painting success in NZ where i’d learnt valuable skills in simply not taking on any projects that made me stressed whatsoever, i took the project very lightly and focussed intently on the part of the brief that asked me to match the colours of the curtains, rather than illustrate the spiritual and historical depth of the town and its people.

The curtains were peacock blue..

can you see the peacocks in my repeat design? This is the mock design that made it through 4 council meetings and 1 public vote. none of which i participated in. keeping stress minimum.

So i started on Decemeber 28th and here we are on January 21st “unveiling” the mural. it was spacious and welcoming and warm in the hall and i loved watching how the different parts of the Glastonbury community used the space.

This and all of the cycling and running i’ve been doing outside has absolutely without any doubt got me through this most brutal of British winters.

I feel honoured to have had the chance to do this and i hope this mural lives on and on inside this building, along with my reputation as a solid creative member of the Glastonbury community.

Warm kitchen, warm heart, cold fingers

Recently completed interior commission in a lovely converted farmhouse just outside Glastonbury.

A totally lovely and easy project from start to finish, working for an old college friend of mine who since we went to D+B raves in 2001 has come full-circle as a business man, back to his homeland with his family. Lovely .

The British winter decided to fall like a big grey blanket over the entire countryside on the first day of the painting and so my bike commute was seriously impacted and i definitely didn’t have the right gloves!

Every moment spent inside this kitchen standing on the heated concrete floor was 100% better than any minute of the bike commute across the frozen fog. And the end result, after 5 days of work was suprisingly good as i’m not used to working in these colours and i didnt feel that confident about it to begin with.

Lotus corner

Lovely lotus flower mural completed in Glastonbury town June 2022.

Half private commission and half publicly funded by The Glastonbury Mural Trail, as it is on a public footpath, this project was just such a joy to paint. The 1970’s rough pebbledash didnt break my heart or my brushes i somehow just really felt into the challenge and worked hard to get the mural completed in time to spend as much time on the Glastonbury Festival site as possible. ( before the crowds came).

Thanks so much to the community of Manor House Rd Glastonbury, Adam and Laskshmi for their ideas and support and to Glastonbury Town Council for making projects like this a possibility in our town now!

Tor Cottage renovation.

This is a little trip down mural memory lane. Here is me in a way-too familiar photo taken in July 2009 , painting the original Hibiscus and morning glory flowers on Tor Cottage , Wellhouse lane, Glastonbury.

Here i am below in photo taken in May 2015, in the first re-fix of the mural when some cracks formed in the wall of the house and i was called to repaint the flowers where new render had been applied.

And here we are in 2022, this time with scaffolding!(much safer than that photo taken in 2015 !).

The home owner was repainting the whole of his house, window frames and all, and so was the perfect opportunity for me to give the flowers a fresh coat. This time i used Thorndown paint which is manufactured locally and despite the label stating that it is wood paint, it works fantastically as a masonry paint and even bonded very well with this lime render.

Revisiting past projects, through photos, through memories, or like this through actually re painting something really draws attention to the journey of life. My mural journey has come on gradually and modestly for 12 years now and i’m happy that i’ve found a place where i don’t have to prove to anyone how fast, or clean, or effective my work is by busting my ass on every project, because i know it is. Taking my time with my brushes, taking it easy on myself with an many tea breaks or days off for parenting or exercise as necessary is totally cool and it doesn’t get the jobs done any slower.

Learning technical skills is one thing, learning how to make your skills sustainably relate to your life is another. Super grateful for all of my years of experience.

And super grateful to have been able to repaint this as a touching down project in my old/new life after 2.5 years in NewZealand. What a trip